Shiv Khori Cave
0Famous cave shrine of Shivkhori(शिव-खोड़ी गुफ़ा) is situated in District Reasi of J&K state depicts the natural formation of shivlingum. It is one of the most venerated cave shrines of Lord Shiva in the region.
A number of legends have propounded about the discovery of this holy cave. One of the most important legends among them is that a demon named Bhasmasura after a long meditation of Lord Shiva obtained blessing to end the life of any one with that blessing. After obtaining it, the said devil tried to end the Lord Shiva-On seeing the evil design of the demon, the Lord Shiva run to save himself from the power of the demon and entered in this cave which is presently known as Shiv Khori. After this, Lord Vishnu in the guise of Mohini came forward and asked the demon to dance with her according to her tune. As and when the demon started dancing as per the actions of Mohini, the said demon took his hand at his head and with his own power, he was himself destroyed. As per the legend, 33 crores deities exist in this cave in shape of pindies and natural milky water is falling on them from the top of the cave. In this cave there is also a cave which directly go to amarnathji accordind to a saint who lived there nameeed as baba ramesgiri
To Know more about it,you can visit:- http://photos.jamuredefine.in
Gair Zaroori Log
0GHAIR ZAROORI LOG is a play which was presented by AMATEAUR THEATRE GROUP at nandikar’s 27th National theatre festival and Ritwik international theatre festival,West bengal…The play was directed by Mushtaq kak and lights were designed by Ifra Mushtaq kak which were highly appreciated….
GHAIR ZAROORI LOG stirs the Collective Memory, through the characters of Manto, to locate a specific political, social and cultural setting where an artist and his creation both turn into the “persona non grata”. Taking away from the six of the best stories of the icon oblast, the play not only presents a profile of our time but also makes a scathing comment on our misdemeanours to humanity. It underlines the politics of boundaries we apply to disown the very people who are, in-fact, the real constituent of any civic order
Jammu ki Sardi
0आज एक स्वेटर और पाई लाओ…
आज एक रजाई और लेई लाओ … .
आज एक मफलर और लपेटी लाओ…
आज दो जराबां और पाई लाओ..
आज एक ग्लास सुंड दा और पी लाओ
आज आज एक सगड़ी और बाली लाओ … एक सगड़ी और बाली लाओ …
के पता …. कल ठण्ड ओये या न ओये
Aaj Ek Sweater Aur Pai Lao…
Aaj Ek Rajai Aur leyi Lao… .
Aaj Ek Mufler Aur Lapeti Lao…
Aaj Do jarabaan aur paai lao..
Aaj Ek glas sund da aur pee lao
Aaj Ek sagdi Aur bali Lao…
Ke Pata…. Kal Thand oye ya na oye
Democracy Weeps…
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Rise or Regret.
Crying with pain, with fear in eyes
Dead thoughts and black skies
With crime at helm, and governing
Sleeping country and few mocking
Money keeping poor out and back
Politics at low, wide and open crack
Industrial growth but degrading humanity
Religious hatred and communal polarity
Watching the values dying, it selflessly keeps
In the corners of Delhi, It’s Democracy that weeps
The silence of people, adding to pains
Watching it helplessly bound, in chains
Ethics and moral losing, falling to greed
Corruption becoming necessity, a need
Confused governance, sleeping people
Quietly waiting, inviting more trouble
Speak before it becomes a little too late
Let’s rise for India, can’t leave it to fate
Because in the search of its few saviors
It’s Democracy that is bleeding in tears.
Rise or Regret.
Rise or Regret.
–Abhishek Dwivedi
Mallika-A Classical Dogri Play
1Synopsis of the play
The love of poet Kalidas and Mallika is not approved by Mallika’s mother, Ambika. At this time, Kalidas has composed his first long poem Ritusambar. He wins recognition in the court of Ujjaini and the king has sent his horsemen to bring him. Another villager by the name of Vilom (also interested in Mallika) says that if Kalidas leaves for Ujjaini, he must take Mallika along. Kalidas, however, does not wish to go from the mountain-valley where they all stay. Finally, Mallika persuades him to leave.
Second Act:-
A few years have passed. Kalidas, a great poet now, is passing through his native valley with his queen Priyagumanjari on his way to Kashmir. The queen meets Mallika. Kalidas, however, does not visit them. Mallika’s mother is not surprised. Vilom is.
Third Act:
Mallika’s mother (Ambika) has died. Mallika has given in to Vilom and she has a child by him. Just then Kalidas returns. He finds that the life of Mallika, the drunkard Vilom, and the child is complete without him. After an explanation of his own life and an encounter with Vilom, he leaves the palce, while Mallika goes in to attend the crying child.
RATTDI RATT(रतडी रत)-A Dogri Play
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RATTDI RATT (pronounced as रतडी रत) was a dogri play which was an adaptation of william shakespeare’s MCBETH and was directed by MUSHTAQ KAK.The play RATTDIRATT was also presented in prestigious “RANG SANGAM VASANT NATYAUTSAV” organized by Sangeet Natak Academi,New Delhi.
RATTDI RATT was also screened in INTERNATIONAL THEATRE FESTIVAL on Shakespeare plays in five countries of the world.The play recieved standing ovation from the selection group of Theatre critics during its screening in”24TH CONGRESS OF THEATRE CRITICS” in BULGARIA which was organized under the banner of INTERNATIONAL ASSOCIATION OF THEATRE CRITICS”an organization under UNESCO having more than 2000 theatre critics as members from across the globe.Renowned Theatre critic Mr Ravinder Koul was the representative from INDIA.
